Arab wheel with a jump and a run

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Performance. Having made a small run-up valset , a student jumping up , rebounding
left foot , slightly raising his shoulders , throwing elbows and pushing hands to his chest. Due to the movement of his right foot from the bottom up that followed at a push and a sharp jerk chest down student goes into the rack upside down . Taking his hands from his chest , the student puts the hand straight to the floor as they are put in the performance of the Arab wheel in length , but not one after the other, and at the same time . With the resulting inertia of flapping leg and chest jerk , bending at the waist , the student comes to his feet.

Арабское с прыжка  и с разбега


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Curbet consists of two parts. The first part – the transition from the feet to the hands, the second part – the transition from hand to foot. The second part – the transition from hand to foot – should be studied first, since it is less complex and, in addition, includes a component to some other acrobatic exercises.

The second part of curvet .
Performance. Apprentice with a push becomes a handstand . Designating a handstand , it slightly lowers the entire rack ( ie, the body with the feet ) , as though he would go with her ??to the floor. Then , a little prognuv body at the waist and both legs bent at the knees, he abruptly straightens the leg at the same time repelled by direct hands on the floor and slightly bending your body gets to his feet with their hands up .

Note . On learning of this exercise, you should pay particular attention .


The first part of curbet .
Original position. Standing, hands free, stress-free omitted at the seams , legs slightly apart , feet parallel .
 Disciple making small squat while taking out his hands before him ,
slightly lifting your heels off the floor. Free stroke unstrained hands down for himself, at the same time dramatically tilting the body down , a sharp jerk of both legs straight student puts his hands on the floor and goes into a handstand .
Notes. 1. Note the swing arms ( for myself ) when the hand is tilted down body rise as high as possible , and at a push to reach for a body in the rack.
2 . Hands on the floor to put in place the initial position of the feet .
Coming in a handstand , the student performs the second part of curbet described above. When connecting both parts in one movement turns full curvet . Full curvet is an independent exercise and is usually performed at a pace several times.
Exercise on unlearns Lounge


Acrobatics (wheel)

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Coup side ( wheel )
Original position. Pupil becomes sideways to the direction of motion (in this case, it takes the wheel to the left ), legs apart a little more than shoulder width , arms raised and extended upwards and at a distance of a little wider than your shoulders , palms facing forward.

Performance. Tilting the body and arms to the right , a student at the same time raises the left leg up , making the swing , then puts his left foot on the ground at the same time shifting the center of gravity on it with his right foot . A wave of his hand and a sharp bending of the body from right to left , he put his left hand on a straight line on the floor
the left leg. Touching the ground with his left hand , he pushed his left foot off the ground and makes a sweep right foot straight from the bottom up , then put his right hand on the left line across the width of the shoulders and across the Stoics on the hands shifts the center of gravity of the left hand to the right . Touching the ground with his right hand , left hand pushes the student of gender, push the right arm , bending the body , it becomes the first to land on the right and then the left foot and takes a starting position

Acrobatics (wheel)

Note . This exercise simulates the rotation like spokes of a wheel . Should pay attention to the body , which should be straight, without bending at the waist . Hands all the time with your feet to

Master class, eccentric dance

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Long wanted to , but could not start . And finally decided to put out there to share their thoughts and experiences, not just their own, but also the experience of their colleagues clowns. Invite all who are interested in the art of clowning join my virtual master class. And here’s the first lesson , eccentric dance. Dance of you know what . And that’s what the eccentric  ? Let’s define this concept as follows: eccentric – comedy and parody images of reality. Eccentric is all that out of the center , outside the norm I would say.  And the fact that out of the norm , but still fun, and then there’s clowning .

Here is an example of such an eccentric dance:



Street show a loss of dignity or high skill levels?

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Recently I heard what my colleagues from Russia on the street is that the show is the loss of dignity of the performer. And what a good performer will never work on the street. Is this true? I am interested in your opinion.

Is not it, this guy is very good? What do you think? :

Sekretärist tsirkuseartistiks: “Klouniks ei saa hakata – sa kas oled kloun või ei!”

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“Ma ei kujutanud iialgi ette, et minust võiks saada kloun, ega üldse artist. Ma arvasin, et minu elu saab olema rahulik. Aga siis kohtusin ma oma mehega, kes juba oli kloun. Nii see läks” räägib Katerina, kes vahetas armastuse nimel kontoritöö klouniameti vastu.

Venemaalt Saranskist pärit Katerina Mironova (25) ja Kaasanist pärit Aleksander (41) Mironov kohtusid 2008. aasta algul, kui Katja oli töötanud juba jupp aega sekretäri ja asjaajajana ning tegelnud kümme aastat ratsaspordiga. Tulevase abikaasaga, klounitööd tegeva Aleksandriga tutvumine rebis Katerina harjumuspärasest rutiinist välja.

“Mu elu tegi kannapöörde,” naerab naine, kes on nüüdseks tuuritanud koos abikaasaga tsirkusepaarina nii Venemaal, Ukrainas, Lätis, Kasahstanis kui Eestis.

Tsirkusega on hea reisida: sõit on tasuta

Lühidalt: üsna pea pärast kohtumist ja kokkujäämist hakkas tasahilju sündima idee, et ka Katerinast ehk Katjast võiks saada kloun.

Loe kogu artikkel siin